æternity’s Blockchain To Immortalize Urban Street Art
æternity has today announced that their blockchain will immortalize urban street art forever with the launch of the Drone Graffiti Project, a collaboration with a number of leading art studios and tech startups. Coinciding with Mexico City’s Art Week February 8 – 10, 2019, a city that when it comes to street art, is up there on the world stage, the Drone Graffiti Project will complete the world’s first live urban art installation powered by blockchain.
Cutting-edge technology has been developed that will use drones to spray art on the walls in Roma Norte alongside Latin America’s most important art fair. Three artists have been selected to work with Drone Graffiti, including US artist Tom Edwards whose high profile farting unicorn image is not only seen on the screen of Tesla automobiles but is considered a symbol for artists rights in the digital age.
An emerging creative medium, Drone Graffiti embodies the ethos of urban art while offering fresh means of expression with a new aesthetic in places normally physically out of reach for artists, as well as a way for the artwork to be immortalized forever on the blockchain.
Street art is far from static — and often ephemeral, a race against the clock before building walls are ripped down, or detailed murals are painted over by the city or frustrated landlords, where these impermanent works become nothing but a distant memory. By leveraging core features of the æternity blockchain; public, decentralized, uncensored, transparent, distributed, these works of art can be archived and authenticated indefinitely, while making it accessible to a global audience.
Building the hardware and software needed for this groundbreaking project were æternity blockchain, Voliro AG, SPH Engineering, DRONEMASTERS and Mexico-based urban art legends All City Canvas, among others.
æternity managed the process of having the blockchain linked to the drones, but having them modified to be able to paint literally anything submitted via an app was the work of SPH Engineering. “To enable a drone to become as the tool for graffiti artists is a technically challenging task, as the drone has to fly near to a wall and the flight path has to create a painting. Compared to other projects where drones are used for swarm management, professional research, or search and rescue operations – the Graffiti drone project provides the opportunity to be a part of a one-of-a-kind project where the technical management of the drone’s flight path has to create art,” said Janis Kuze, from SPH Engineering.